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Audio can make or break your video — and the wrong headphones will let mistakes slip through.
If you’re serious about editing, you need gear that gives you clear, honest, and detailed sound.
Whether you’re fine-tuning dialogue, mixing music, or fixing noise issues, the right headphones help you hear exactly what your viewers will hear.
In this article, you’ll discover:
🎯 The best headphones trusted by professional video editors
✅ Top choices for different editing setups — studio, home, or mobile
⚙️ Key features that actually matter for video editing accuracy
🧠 Real recommendations backed by hands-on experience
Let’s find the headphones that help you edit faster, smarter, and with total confidence.
1. Best Budget Headphones for Video Editing
AKG K371
Reasons to buy
- Accurate, neutral sound perfect for editing
- Lightweight and comfortable for long sessions
- Solid build quality
Reasons to avoid
- No active noise cancelling
AKG K371 Technical Specifications
| FEATURE | DETAILS |
|---|---|
Driver Size | 50 mm |
Frequency Response | 5 Hz – 40,000 Hz |
Impedance | 32 Ohms |
Wired/Wireless | Wired |
Cable Type | Detachable (includes 3 cables – 3m straight, 1.2m straight, 3m coiled) |
Foldable | Yes |
Weight | 255 g (9 oz) |
✅ Buy if you’re a self-taught video editor or student filmmaker on a budget: The AKG K371 offers surprisingly clear and balanced sound that rivals more expensive models — making it a top pick among budget headphones for editing.
❌ Avoid if you want wireless convenience or ANC: These are wired studio headphones, so if you want noise cancelling or Bluetooth, look elsewhere.
Why I recommend the AKG K371 for beginners
I’ve been editing videos and mixing audio for years, and I can say the AKG K371 is one of the best budget headphones out there for serious beginners. When I first tried them, the clarity caught me off guard — you get real detail without that exaggerated bass or muddy mids that some cheaper headphones have. That means you hear dialogue and effects clearly, which is crucial for video editing.
The lightweight design makes long editing sessions less tiring. I personally spent several hours testing them during my last project, and I didn’t experience any discomfort — which is rare in this price range. Plus, the closed-back design isolates enough sound to keep out distractions if you’re working in a busy home or shared space.
2.Best Professional Headphones for Video Editing
Sony MDR-7506
Reasons to buy
- Strong and built to last
- Clear, balanced sound for editing
- Comfortable for long use
Reasons to avoid
- Cable is long and can get in the way
Sony MDR-7506 Technical Specifications
| FEATURE | DETAILS |
|---|---|
Driver Size | 40 mm |
Frequency Response | 10 Hz – 20,000 Hz |
Impedance | 63 Ohms |
Wired/Wireless | Wired |
Cable Type | Non-detachable, 9.8 ft coiled cable (gold-plated 3.5 mm with 1/4″ adapter) |
Foldable | Yes |
Weight | 230 g (8.1 oz) |
✅ Buy if you’re an experienced editor who needs reliable, consistent sound: The MDR-7506 has been a studio staple for decades because it gets the job done without fuss — one of the best wired headphones for editing when accuracy matters.
❌ Avoid if you want wireless or ANC: These headphones stick to what they do best — wired, accurate monitoring.
Why the Sony MDR-7506 is a go-to for pros
Having used the MDR-7506 myself for years in studio and editing suites, I can say these headphones are the definition of workhorse gear. They don’t dazzle with fancy features or design flair — but what matters most, the sound quality, is exactly what you need for video editing.
The 40mm drivers deliver clear and detailed audio that helps you hear dialogue nuances, background noise, and sound effects with precision. For corporate videos or documentaries, where audio accuracy is critical, these headphones let you catch subtle issues others might miss.
Comfort and durability
The closed-back earcups do a solid job of isolating background noise — perfect when you’re in a busy studio or shared workspace. They’re lightweight enough to wear for hours, and the foldable design makes them easy to pack up when you’re on the go.
The cable length is generous, which I appreciate for studio setups where you might not want to be tethered close to your device — but the downside is it’s fixed. So take care not to damage it.
3. Best Headphones for YouTube and Podcast Editing
Audio-Technica ATH-M50x
Reasons to buy
- Detachable cable system with three options
- Great sound isolation
- Clear sound
Reasons to avoid
- Slightly boosted bass — not perfectly flat
Audio-Technica ATH-M50x Technical Specifications
| FEATURE | DETAILS |
|---|---|
Driver Size | 45 mm |
Frequency Response | 15 Hz – 28,000 Hz |
Impedance | 38 Ohms |
Wired/Wireless | Wired |
Cable Type | Detachable (includes 3 cables – 1.2m–3m coiled, 3m straight, 1.2m straight) |
Foldable | Yes |
Weight | 285 g (10 oz) |
✅ Buy if you edit podcasts, vlogs, and YouTube content regularly: The M50x gives you clean vocals, rich music tones, and isolation when you’re working from home or in a café.
❌ Avoid if you want ultra-flat sound for mixing film scores or post-production: These are slightly tuned for enjoyment, not surgical accuracy.
Why content creators love the Audio-Technica ATH-M50x
If you’re like me — editing interviews one day, adding background music the next, and syncing voiceovers for a client’s YouTube ad on the weekend — the ATH-M50x just works. These are the headphones I grab when I don’t want to overthink it, but still need my edits to sound great on any platform. It’s no surprise the M50x is often recommended as one of the best headphones for editing videos, especially when you need reliable sound quality without slowing down your workflow.
The 45mm drivers deliver punchy lows and crisp mids, which makes it easy to hear plosives, background hiss, and whether your voice EQ is sitting right in the mix. It’s not 100% neutral like reference monitors, but the sound is detailed and full enough for fast, creative work.
Comfort for marathon sessions
The M50x is comfortable enough for multi-hour editing — the earcups are padded, the clamping force is firm but not crushing, and the closed-back design keeps distractions out. If you edit on the go, you’ll love the foldable design and the included soft pouch.
And the detachable cables? A small thing that makes a huge difference. You get three in the box — short for mobile, long for studio setups, and coiled for flexibility. It’s one of those features that make these feel built for creators like us.
Also Read: Best Headphones for Podcasting
4. Best Comfortable Headphones for Long Editing Sessions
Beyerdynamic DT 770 Pro (32Ω)
Reasons to buy
- Ultra-comfortable ear pads for long sessions
- Wide frequency range with high clarity
- Durable, high-quality German construction
Reasons to avoid
- Bulky for travel
Beyerdynamic DT 770 ProTechnical Specifications
| FEATURE | DETAILS |
|---|---|
Driver Size | 45 mm |
Frequency Response | 5 Hz – 35,000 Hz |
Impedance | 32 Ohms |
Wired/Wireless | Wired |
Cable Type | Non-detachable straight cable (1.6 m) |
Foldable | No |
Weight | 270 g |
✅ Buy if you spend hours editing nonstop: The DT 770 Pro’s velour ear cushions feel like pillows on your ears — perfect for marathon sessions.
❌ Avoid if you need something compact or travel-friendly: These are made for studio comfort, not mobility.
Why the Beyerdynamic DT 770 Pro is a comfort-first favorite
Let’s be honest — when you’re cutting a wedding video that’s 90 minutes long, fixing bad audio in an interview, or syncing B-roll until 2 AM, the last thing you want is sore ears or a headache from your headphones. That’s exactly why the DT 770 Pro (32Ω) exists.
From the first time I wore them, it was clear these are built for editing marathons. The soft, breathable ear pads combined with a lightweight design let you stay fully immersed for hours without discomfort or overheating.
Perfect sound for focused workflow
While comfort is the big win here, the sound quality is no slouch either. The 40mm drivers produce a crisp and full sound. Bass is slightly boosted, which can help when balancing music or voice-over tracks, though it’s not ultra-flat like some studio monitors. Still, for long-form narrative work, they hit the sweet spot between accuracy and immersion.
The 32 Ohm version is especially editor-friendly because you don’t need an audio interface or headphone amp — just plug them into your laptop or tablet and go.
Durability you can depend on
The DT 770 Pro is built like a tank — German engineering at its finest. If you’ve ever broken headphones by dropping them or tossing them in a gear bag, you’ll appreciate the strong metal headband and thick cable.
And yes, they’re not flashy — but they’re made to work hard, just like you.
5. Best Value Headphones for Video Editors
RØDE NTH-100
Reasons to buy
- Clear, balanced sound for editing and mixing
- Very comfortable with cooling gel ear cushions
- Detachable cable on either side for flexible setups
Reasons to avoid
- No wireless option
RØDE NTH-100 Technical Specifications
| FEATURE | DETAILS |
|---|---|
Driver Size | 40 mm |
Frequency Response | 5 Hz – 35,000 Hz |
Impedance | 32 Ohms |
Wired/Wireless | Wired |
Cable Type | Detachable 2.4m cable (locking connector) |
Foldable | No |
Weight | 350 g (12.3 oz) |
✅ Buy if you want studio-grade audio without overspending: The NTH-100 is ideal if you’re an editor who takes your audio seriously but needs gear that delivers on performance and price.
❌ Avoid if you want something ultra-portable: These are made for comfort and clarity at your desk — not for tossing in a backpack daily.
Why the RØDE NTH-100 hits the sweet spot
If you’re a creative working across different types of projects — YouTube content, client promos, podcast edits — the RØDE NTH-100 makes a lot of sense. It’s made by a company known for top-tier microphones and audio gear, and this is their first headphone — and they nailed it.
What stands out right away is comfort. The Alcantara® ear cushions feel premium, and the CoolTech™ gel actually works — your ears won’t feel sweaty or tired, even after marathon editing sessions. For solo editors working 8+ hours on tight deadlines, this is a game-changer.
Balanced, honest sound — just what you need
The NTH-100 delivers a clean, neutral sound. It’s not hyped like some consumer headphones, and that’s a good thing — you’ll hear what’s actually in your video project. Subtle audio tweaks, dialog EQ, background music balance — it’s all crystal clear.
Are they as brutally flat as something like the Sony MDR-7506? Maybe not, but they’re more forgiving and way more comfortable. It’s a tradeoff most editors will gladly take.
Smart features you’ll actually use
We love the detachable cable with dual-side entry. Whether your interface is on the left or right of your desk, you can route the cable however suits your setup. The FitLok™ headband system ensures a snug, consistent fit every time you put them on.
6. Best Wireless Headphones for Editing on the Go
Sony WH-1000XM5
Reasons to buy
- Top-notch noise cancelling
- Long battery life and quick charging
- Light and comfy for long use
Reasons to avoid
- Expensive
Sony WH-1000XM5 Technical Specifications
| FEATURE | DETAILS |
|---|---|
Driver Size | 30 mm |
Frequency Response | 4 Hz – 40,000 Hz |
Impedance | 48 Ohms |
Wired/Wireless | Wireless (with optional wired connection) |
Cable Type | Detachable audio cable (3.5 mm) included |
Foldable | No |
Weight | 250 g (8.8 oz) |
✅ Buy if you’re editing on the move and need great sound in noisy places: These are ideal if you often work in airports, cafés, or shared spaces where distractions are common.
❌ Avoid if you need precise, neutral sound for final mastering: These are “editor-friendly,” not studio-flat.
Why the Sony WH-1000XM5 is perfect for mobile editors
If your workflow happens across cities, trains, planes, and coffee shops, the Sony WH-1000XM5 is an absolute asset. I’ve used them to rough cut reels in cafes and preview interviews mid-flight — and in those scenarios, they shine. The active noise cancellation is among the best you’ll find. Whether it’s engine hum or background chatter, these cans let you focus on your timeline like you’re back at your studio desk.
While they’re not tuned with a studio-flat profile like the Sony MDR-7506 or Beyerdynamic DT 770, they still deliver enough clarity and detail to make confident decisions — especially for pacing, dialogue clarity, and general sound mix balance.
All-day comfort, no cords, no problem
With up to 30 hours of battery life, you can fly from L.A. to Tokyo and still have juice left for your layover. The quick charge is also a lifesaver: just 3 minutes gets you 3 hours of playback. The lightweight build and soft leather pads are noticeably more comfortable than most ANC headphones — crucial for long sessions.
Touch controls are intuitive once you get used to them, and the ability to connect to two devices at once (say, laptop + phone) is a real productivity boost when you’re juggling client calls and editing software.
It’s no surprise many mobile creators consider the WH-1000XM5 one of the best wireless headphones for editing — they’re built for flexibility without compromising on quality.
7. Best Headphones for Clear and Correct Sound
Shure SRH840A
Reasons to buy
- Clear mids — great for voice work
- Detachable cable for easy setup
- Comfy for long use
Reasons to avoid
- No noise cancelling
Shure SRH840A Technical Specifications
| FEATURE | DETAILS |
|---|---|
Driver Size | 40 mm |
Frequency Response | 5 Hz – 25,000 Hz |
Impedance | 40 Ohms |
Wired/Wireless | Wired |
Cable Type | Detachable straight cable (3 m / 10 ft) |
Foldable | Yes |
Weight | 272 g (9.6 oz) |
✅ Buy if you care deeply about sound integrity: If you mix like an engineer and want to hear your audio exactly as it is, the SRH840A delivers that brutally honest sound.
❌ Avoid if you prefer a “fun” or enhanced sound profile: These aren’t tuned for consumer pleasure — they’re precision tools for serious work.
Why the Shure SRH840A is built for sound purists
If you’re the kind of editor who tweaks EQ curves and listens for tiny vocal harshness — you’ll love the Shure SRH840A. These are not consumer headphones. They’re purpose-built as some of the best headphones for audio editing, designed for critical listening and monitoring. The frequency response is tight and neutral, with slightly rich lows and exceptionally clear mids that bring dialogue and voice recordings forward in the mix.
The highs aren’t hyped — just enough to give you sparkle and presence, but not enough to tire your ears during long sessions. This is especially useful for editors working with interviews, YouTube explainers, or audio-intensive projects.
Comfort and usability for long workdays
The updated SRH840A improves on the original with better comfort. The wide, padded headband distributes weight evenly, and the over-ear fit provides good passive isolation without clamping too hard. You can easily go through a full day of editing without adjusting them every 10 minutes.
And unlike many pro headphones in this range, the SRH840A comes with a detachable cable, making replacements or storage much easier. That might sound minor, but for a mobile editor or someone who packs gear frequently, it’s a big quality-of-life feature.
Also Read: Best Headphones for ASMR
What to Consider When Choosing the Best Headphones for Video Editing
When you’re editing videos, your headphones are your most important tool for hearing exactly what your audience will hear. Here are the most important things to look for:
1. Sound Accuracy (Flat Sound)
You want headphones that don’t add extra bass or change how things sound. This helps you hear the true sound of your video so you can make better edits.
🎯 Look for headphones made for “studio” or “monitoring” use.
2. Comfort for Long Use
Video editing can take hours, so your headphones should feel comfortable on your head and ears.
🎯 Choose soft padding, adjustable headbands, and lightweight designs.
3. Closed-Back Design
Closed-back headphones block outside noise and stop your sound from leaking out — perfect for editing in busy or quiet spaces.
🎯 Avoid open-back headphones unless you’re in a silent studio.
4. Wired vs Wireless
Wired headphones are best for no delay and accurate sound. Wireless is more convenient but may add tiny delays or reduce quality.
🎯 Choose wired if you’re serious about editing. Wireless is fine for casual use or travel.
5. Build Quality
Good headphones should last. Look for strong materials, replaceable cables, and trusted brands.
🎯 You don’t want headphones that break after a few months of editing.
Frequently Asked Questions (FAQ)
What headphones do video editors use?
Many professional video editors use closed-back studio headphones like the Sony MDR-7506, Audio-Technica ATH-M50x, or Beyerdynamic DT 770 Pro. These models are trusted for their accurate sound, comfort during long sessions, and ability to reveal small audio imperfections.
Should I edit videos with headphones?
Yes, editing videos with headphones helps you hear details clearly, especially in dialogue, background noise, and audio transitions. Headphones isolate sound, giving you a more accurate mix compared to regular speakers in untreated rooms.
Do high-quality headphones really make a difference?
Absolutely. High-quality headphones offer better sound accuracy, clarity, and dynamic range, which are crucial for editing audio in videos. They help you detect issues like background hiss, vocal pops, or imbalanced levels that low-end headphones might miss.
Are closed-back or open-back headphones better for video editing?
Closed-back headphones are better for video editing because they block outside noise and prevent audio from leaking into your microphone or recordings. Open-back models are more suited for mixing in controlled environments, not editing.
Can I use Bluetooth headphones for video editing?
Wired headphones are recommended for video editing because Bluetooth can introduce latency (audio delay), which causes sync issues. Wired models offer real-time, stable audio playback — essential for precision editing.
How We Tested and Chose the Best Headphones for Video Editing
We tested each headphone using real video editing workflows to check audio accuracy, clarity, and detail—especially in dialogue and layered soundtracks.
We evaluated comfort for long editing sessions and durability for daily use. For wireless models, we tested connection stability and latency to ensure no delays when syncing audio to video.
We also reviewed user feedback and expert opinions to confirm consistent performance.
Conclusion
We hope this guide helped you learn everything you need to know about choosing the best headphones for video editing — and answered all your key questions along the way. Whether you’re editing at home, in a studio, or on the go, the right headphones can make a huge difference in your sound quality and overall workflow.
🎧 If you enjoyed this article, be sure to check out more of our content — we cover all things audio, sound gear, and production tips to help you work smarter and sound better.
💬 Got questions or want to share your favorite editing headphones? Drop a comment below — we’d love to hear from you!
Monica Rivas is a Reviewer and Content Manager of Audiofavorite, she is an audiophile for many years and she helps people to learn all they need about audio, speakers, sound etc.